Were the Literature & Art of the 1800s & 1900s Programming Devices? – Part 2 European Authors

I will be delving into famous European writers of the 1800s and 1900s in this post.

Many of these authors were required reading in secondary-school English classes, and many of their books were also turned into movies.

I am going to be focusing on how these authors were used to shape the new and historical narrative in our collective minds, as well as what the fate was of past literature and records.

Charles Dickens, we are told, was born in February of 1812, and died in June of 1870, at the relatively young age of 58. He created some of the world’s best known fictional characters, and is regarded by many is the greatest novelist of the Victorian-era.

In spite of having no formal education after having left school to work in a factory because his father was in Debtors’ Prison, he edited a weekly journal for 20-years; wrote 15 novels; 5 novellas; and hundreds of short stories and articles. He’s one of many famous and incredibly accomplished people I have come across in my research said to have little or no training in their respective fields, including art and architecture.

Amongst his earliest efforts, “Sketches by Boz ~ Illustrative of Every Day Life and Every Day People” became a collection of short pieces Dickens published between 1833 and 1836 in different newspapers and periodicals.

The first completed volume came along in 1839. George Cruikshank was involved with the illustrations.

The work is divided into four sections: “Our Parish,” “Scenes,” “Characters,” and “Tales.

So…Charles Dickens’ first published work involved illustrations, of visual imagery forming our perceptions of what life was like at that time?

This concept was further evolved when he agreed to a commission in 1836 to supply the description necessary for the “Cockney sporting plates” of illustrator Robert Seymour for a graphic novel, a book made up of comics content, for serial publication. This was how the “Pickwick Papers” came about, first published in serial form, and called his first literary success.

And who exactly was the target audience for the highly visual and cartoon-like nature of this early work? Like maybe a younger audience, perhaps?

He sure wrote a lot of books featuring orphans, like, but not limited to, “Oliver Twist.”

Within a few years, Charles Dickens had become an international celebrity, and pioneer of the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication, featuring cliffhanger endings.

Maybe geared for an older, literate and mature, audience?

This is Bleak House, Charles Dickens’ seaside summer home in Broadstairs in Kent, said to have been originally built in 18o1…

… overlooking Viking Bay. I have seen the curved, double-shoreline of Viking Bay on the top left in other places, including Coco Cay in the Bahamas on the top right; at Casco Cove on Attu Island, the far western island of the Aleutian Island chain of Alaska, on the bottom left; and Halawa Bay, on the Hawaiian Island of Molokai, on the bottom right.

He was buried in Westminster Abbey. Not bad for a poor kid made good!

As a matter of fact, he and Rudyard Kipling, George Frederic Handel, and Archibald Campbell are hanging out together for eternity.

On a similar but different note, there is even a sign at the designated grave of William Shakespeare at Holy Trinity Church in Stratford-on-Avon, England, asking people not to dig here, and even threatening a curse on anyone who tries to remove his bones.

Is there something someone doesn’t not want found out about what is, or is not, inside this particular grave site?

Oscar Wilde was an Irish poet and playwright, born in Dublin in October of 1854, and who died in Paris in 1900 at the age of 46, shortly after his release from prison for two-years of hard-labor, his sentence for his conviction of gross indecency with men.

I want to look into his novel “The Picture of Dorian Gray” because of its strange theme. It was first published in serial form in Lippincott’s Monthly Magazine in July of 1890.

Dorian Gray was an aristocrat who had a full-length portrait of himself painted.

Dorian expresses the desire to sell his soul to ensure that the picture, rather than he, will age and fade.

The wish is granted, and he pursues a life of various amoral experiences while he stays young and beautiful, while the picture ages and records every sin.

After a long life of experimenting with every vice, and a chain of events centering around a young woman who had fallen in love with him that he had spurned, he ended up destroying the portrait, at which time he immediately aged and took on all the sins etched into the portrait. He was found unrecognizable and stabbed in the heart. The portrait itself was then restored to its original youthful appearance.

This novel of highly questionable subject matter for viewers young and old was also made into a movie, first in 1945.

The one and only time I saw this movie, it was shown by the youth pastor on a church retreat when I was a teenager. The truly degenerate nature of the story is hidden because it is cast as a fictional story being told, and disguised as a creative object lesson about the choices a person made in his life.

A movie version was made again in 2009, released on 09/09/09.

I bring this in about Oscar Wilde because there has been a subversive current running through our culture and society that is related to Oscar Wilde’s personal life and literature, and is very much a part of what has been going on here without the knowledge, awareness, and conscious consent of the general public. This has been done deliberately in an on-going effort to corrupt, degrade, and control Humanity by keeping people stuck in their lower selves rather than coming into awareness of Higher Self, and stuck in the head instead of living from the heart.

Oscar Wilde was also a socialist, and this is what he had to say about it:

George Orwell was born Edward Arthur Blair in 1903. He died at the age of 46 in 1950. In 2008, he was ranked the 2nd by British daily newspaper “The Times” in their compilation of the 50 greatest British writers since 1945.

Like Jack London from the last post, George Orwell was a socialist who was said to have had an awareness of social injustice, and was against totalitarianism.

Were these men humanitarians…or propagandists?

Seemingly contradicting the said characterization of Orwell’s beliefs against totalitarianism, “Orwellian” has come into usage as an adjective in the English language that describes authoritarian and totalitarian practices.

I read where George Orwell was influenced in his writing of “Nineteen Eighty-Four” by Jack London’s novel “The Iron Heel.”

George Orwell’s “Nineteen Eighty-Four” is a dystopian novel centering on the risks of government overreach, totalitarianism, and repressive regimentation of all persons and behaviors within society.

Jack London’s novel “The Iron Heel” was about the rise of an oligarchic tyranny in the United States.

Our recent modern history has shown us that socialism, by its very nature is totalitarian, as the ones who benefit from it are the ruling class in a socialist country. We now have multiple failed socialist states to look at, but this was the model of society that was being foisted on us by these so-called literary greats, and is still being promoted today.

Mind-control and propaganda are the only tools at their disposal to promote socialism as a benevolent and beneficial system.

Why are we inundated with scary and terrifying subject matter about a dystopian future, and why are we not taught about by the knowledge of Human Potential still preserved in eastern yogic traditions regarding how to access human superpowers, like levitation pictured here?

This knowledge is also preserved by Moorish-American Adepts who practice the Egyptian Wadjet Yoga.

The yogic techniques were once part of a worldwide spiritual system.

Human superpowers are called siddhis in Sanskrit, a noun with reference to perfection, accomplishment, attainment or success.

Why are we so forcibly educated in a future for Humanity that is dismal, and not in one that is bright?

Robert Louis Stevenson was born in Scotland in 1850, and whose best known works are…

…”Kidnapped,” set around the events of the Jacobite Uprising of 1745, an attempt by Charles Edward Stuart, also known as “Bonnie Prince Charlie,” and the “Young Pretender,” to regain the British Throne from the House of of Hanover, from Germany, which assumed the British Throne under King George I in 1714, for his father, James Francis Edward Stuart, otherwise known as the “Old Pretender…”

…”The Strange Case of Dr. Jekyll and Mr. Hyde,” which is about a legal practitioner who investigates strange occurrences between his friend, Dr. Henry Jekyll, and the evil Edward Hyde, with “Jekyll and Hyde” coming into our language to refer to people with an unpredictably dual nature – usually good, but sometimes evil…

…and “Treasure Island,” which was published in 1883. It is an adventure novel telling a story of pirates and buried treasure.

Interestingly, I came across “Treasure Island” when I was researching the circular planetary alignment emanating off of Algiers, Algeria.

When I was looking into the Loos Islands, which consist of three main islands just off the coast of Conakry, Guinea, I found that one of them, Roume, was said to be the inspiration for this novel. This is what you find on Roume Island:

On the same Algiers Circle alignment way up north, I encountered Jules Verne a couple of times.

Jules Verne, born in 1828, was a French novelist, poet, and playwright. He sometimes been called the “Father of Science Fiction,” but so have other authors been called, like H. G. Wells.

I first came across Jules Verne tracking the Algiers circle alignment through western Iceland, at Snaefellsjokull, an ice-covered stratovolcano in the first national park of the same name established in Iceland, and said to be one of seven great energy centers of the Earth.

It is was the entrance to Inner Earth that German adventurers took in Jules Verne’s classic 1864 novel, “Journey to the Center of the Earth.”

In the novel, the adventurers came to the surface of the earth again at the Stromboli volcano of the north coast of Sicily.

I wonder how Jules Verne came up with that unusual story line!

I came across him again further down the same alignment,at Fingal’s Cave, on the island of Staffa, in Scotland’s Inner Hebrides…

…which is known for its natural acoustics. It is formed by hexagonally-jointed basalt columns.

Jules Verne was also a visitor to Fingal’s Cave, and he mentions it in his novel “Mysterious Island”…

…and in “The Green Ray.”

So many of these preeminently famous authors were also world travellers, and amazingly really got around the world back in the day!

Count Leo Tolstoy was born in 1828…

…in Russia’s Tula Province.

There is a Temple of the Atlantes in a place of the same name, Tula in Mexico…

…and what are called “The Atlantes of the Hermitage,” in St. Petersburg, Russia, where ten Atlantes carved from dark gray granite hold the entrance ceiling at head level…

…which are truly huge!

Leo Tolstoy is said to be regarded as one of the greatest authors of all time, though he never received the Nobel Prize for Literature or Peace, both of which he was nominated for several times.

“War and Peace” is perhaps his best known work, which was first published serially, like other famous authors of his day, in the “Russian Messenger” between 1865 and 1867…

…and first published in its entirety in 1869.

It chronicles the French invasion of Russia by Napoleon, and the impact of the Napoleonic era, between 1805 and 1820, through the stories of five aristocratic families.

His other most famous work is “Anna Karenina,” also first released in serial installments in the “Russian Messenger” between 1873 and 1877, before being published in its entirety in 1878.

It deals with themes of betrayal, faith, family, marriage, Imperial Russian society, desire, and rural versus city life…and trains are a recurring theme throughout the book, taking place against the backdrop of rapid transformation.

For example, this is said to be an illustration of the opening of the first railroad in Russia, the Tsarskoe-Selo Railway, said to have been built between 1836 and 1837 by an Austrian engineer for Tsar Nicholas I from St. Petersburg to his summer palace.

Note the beautiful and uniform raised railroad bed, and the canal running straight as an arrow parallel to it.

I have explored the subject of railroads and canals as being part of the ancient advanced civilization in earlier posts.

On a related topic to relatively modern literature serving as programming devices for a new historical narrative, libraries throughout history have been deliberately destroyed.

The Great Library of Alexandria in Egypt was one of the largest and most significant libraries of the ancient world.

It was set on fire multiple times during the Roman era, including by Julius Caesar in 48 BC, but its final destruction was said to come in 297 AD during the Emperor Diocletian’s siege of Alexandria in 297 AD.

The Royal Library of Antioch in Syria, said to be established in 221 BC, and destroyed in 363 by the Christian emperor Jovian at the urging of his wife. It was said to have been stocked with unholy pagan literature.

The Library of Avicenna was said to have been destroyed in Isfahan, Iran, in 1034 AD by the Sultan Mas’ud I.

Avicenna, or Abu Ali Sina, was a Persian polymath, or an individual whose knowledge spans a significant number of subjects known to draw on complex bodies of knowledge to solve specific problems.

He is regarded as one of the most significant physicians, astronomers, thinkers and writers of the Islamic Golden Age, traditionally dated from the 8th-century to the 14th-century AD, and is considered the father of modern medicine.

The monastic libraries of England were destroyed or dispersed following the dissolution of the monasteries by King Henry the VIII between 1536 and 1541, including, but not limited to, Glastonbury Abbey and its library.

This is just a small sample of the destruction of important libraries throughout history.

And what’s in the library buried underneath the Vatican they don’t want us to see?

It is not open to the general public…only to people who can document their qualifications and research needs.

Said to have been formally established in 1475, it is said to house one of the most significant collections of historical texts, including 75,000 codices, and 1.1 million printed books.

In my next post, I am going to start looking at the artwork of the 1800s as programming devices.

Were the Literature & Art of the 1800s & 1900s Programming Devices? – Part 1 American Authors

In this new series, I am going to be focusing on how the famous authors and art of the 1800’s and 1900’s were used to shape the new and false historical narrative in our collective minds.

Many of these authors were required reading in secondary-school English classes, and many of their books were also turned into movies.

The following screenshots are from a page entitled “The Origin of Compulsory Education” on Foster Gamble’s Thrive website. As I recall, it was from his movie “Thrive” that I first learned that the Rockefellers were the originators of the American Educational System. When John D. Rockefeller established the General Education Board, it says the interest was in organizing children, and creating reliable, predictable, and obedient citizens, and not in producing critical thinkers.

Massachussetts passed the First Mandatory Attendance Law in 1852, which lines up with what I believe was the start of the new historical timeline in the year of 1850.

Even as early as 1914, the National Education Association expressed alarm at the activity of the Carnegie and Rockefeller Foundations, and their efforts to control the policies of State educational institutions, and everything related to the educational system.

To read more about this click on http://www.thrivemovement.com/follow-money-education.

I am going to start by taking a look at Jack London.

Jack London was born in San Francisco on January 12th, 1876. We are told he was one of the first writers to have worldwide fame, and great financial success.

One of his most famous novels is “Call of the Wild.”

It was first published in serialized form in the Saturday Evening Post in 1903.

Basically the story-line of “The Call of the Wild” was about a St. Bernard – Scotch shepherd mix dog named Buck…

… who was stolen from a happy life in California to be sold into service as a sled dog in Alaska, and terribly abused by most of the humans he came into contact with from there on. He ultimately became feral, and answered “The Call of the Wild” by the end of the book.

Not uplifting content at all! Very strange actually that it would have themes of animal theft and extreme animal abuse. Why? There is nothing socially-acceptable about this!

It was even made into a movie multiple times, starting in 1935.

He was also an advocate of socialism.

In 1908, he published the book “The Iron Heel,” which refers to the rise of an oligarchic tyranny in the United States.

An oligarchy is a form of power structure in which power rests with a small number of people.

The story-line emphasized future changes in society and politics, and not technological changes. It is called a dystopian novel, meaning characterized by mass poverty, public mistrust and suspicion, a police state or oppression.

Jack London was said to have had Marxist beliefs, espousing a progression from feudalism through capitalism, then socialism, and ending in a period without a state known as communism.

Also, it is interesting to note that in 1904 Jack London was elected to honorary membership in the private, San Francisco-based Bohemian Club, which utilizes Bohemian Grove.

Authors Mark Twain, Bret Harte and Ambrose Bierce were also members of the Bohemian Club. More on them shortly.

in 1905, Jack London purchased 1,000-acres, or 405-hectares, of ranch land on the eastern slope of Mount Sonoma in Glen Ellen, California, and called it the Beauty Ranch. He did not fare well as a rancher, as it was not an economic success…

…and we are told the 26-room mansion he and his wife were building on the ranch was said to have burned down two weeks prior to the day they were planning to move in. These are said to be the ruins of his home, called Wolf House, at Jack London State Historic Park.

Wolf House reminds me of the Castle at Ha Ha Tonka State Park at Central Missouri’s Lake of the Ozarks…

…construction of which was supposed to have started in 1905 by a Kansas City businessman, and finished by his sons in the 1920s before the stock market crash. 

We are then told, after being used first as a seasonal home, and then as a hotel, it was destroyed by a fire in 1942.

Next I will be taking a look at Mark Twain, who was widely praised as a great humorist, and was considered by some to be the “Father of American Literature.”

He was born Samuel Langhorne Clemens in Florida, Missouri on November 30th, 1845, shortly after an appearance of Halley’s Comet.

The family moved to a new home, pictured on the left side of Hill Street, in Hannibal, Missouri when he was 4.

Here is his boyhood home from another angle, and besides the gentle slope of the street and the nice stone-house in the left foreground…

…I can’t help but notice what is apparently a very high stone wall in the background. It really seems out-of-place!

Other sites in Hannibal include what was the Farmers & Merchants Bank, said to have been built in 1910…

…and houses the Bluff City Theater today.

The Hannibal & St. Joseph Railroad was the first railroad to cross Missouri, starting in Hannibal in the northeast, and going to St. Joseph, Missouri, in the northwest.

Plans for the railroad were said to have formed in 1846 in a meeting at the Hannibal office of John Marshall Clemens, Samuel’s father, with construction of it starting in 1851.

His father, an attorney and judge, died of pneumonia in 1847, when Samuel was only 11-years-old, and shortly after that, he left school to become a printer’s apprentice, becoming a type-setter in 1851, around the age of 15.

Three years later, he was said to have left Hannibal, and worked as a printer in New York City, Philadelphia, St. Louis, and Cincinnati, educating himself along the way in public libraries.

This guy really got around!

Then after a stint learning how to become a steamboat pilot on the Mississippi River between New Orleans and St. Louis, he moved to Virginia City, Nevada, when his brother Orion became Secretary of the Nevada Territory in 1861.

He was said to have first tried mining there and failed, so he became a reporter for the Virginia City newspaper, and this was the first time he used the pen name “Mark Twain.”

As journalist Mark Twain, he moved to San Francisco in 1864, where he met Bret Harte.

Bret Harte was a writer best-known for his short-stories featuring miners, gamblers, and other romantic figures of the California Gold Rush.

I speculated in a recent post concerning the San Francisco Fire of 1851 that the California Gold Rush of 1849 – 1851 was a cover story for a massive influx of workers into the Bay area needed to dig San Francisco out of mud. This is said to be a daguerrotype showing a panorama of San Francisco Harbor in 1851.

Where could the narrative we are taught about what happened during the Gold Rush have come from?

Interestingly, Bret Harte’s grandfather, Bernard Hart, was said to have been one of the founders of the New York Stock Exchange in 1792.

Ambrose Bierce, listed as a Bohemian Club member along with Mark Twain, Bret Harte, and Jack London, was a short-story writer, journalist, poet, and Civil War Veteran.

Most of his works dealt with the American Civil War, like “Tales of Soldiers and Civilians…

…but he was also a pioneer of psychological horror stories, like “Fantastic Fables.”

He published “The Cynic’s Word Book” in 1906…

…and re-titled it “The Devil’s Dictionary” in 1911, which, we are told, was for some reason named as one of the “100 Greatest Masterpieces of American Literature” by the American Revolution Bicentennial Administration.

Next, Francis Scott Key Fitzgerald, better known as F. Scott Fitzgerald, born in 1896, was an American fiction writer whose work, we are told, helped to illustrate the flamboyance and excess of the Jazz Age.

He is widely regarded as one of the greatest American writers of the 20th-century, best known for his four novels, which were “This Side of Paradise,” about the lives and morality of post-World War I youth, published in 1920…

…”The Beautiful and Damned”published in 1922, about the New York cafe society and the American Eastern elite during the Jazz Age before and after World War I, and in the early 1920s…

…”The Great Gatsby,” published in 1925 about a cast of characters living in the fictional towns of East Egg and West Egg on Long Island in 1922…

…and “Tender is the Night,” first published in Scribner’s Magazine in four issues in 1934, written after his wife Zelda was hospitalized in Baltimore, Maryland, for schizophrenia in 1932. The novel was said to mirror the events of their lives during this time.

He was a frequent contributor to The Saturday Evening Post. This issue featured his well-known short-story “Bernice Bobs Her Hair,” and the first with his name published on the cover.

The Saturday Evening Post was first published in Philadelphia in 1821, and grew to become the most widely circulated weekly magazine in America. It currently publishes six times a year.

Known for commissioning lavish illustrations and original works of fiction, each issue featured several original short stories written for mainstream tastes by popular writers.

The last American writer I want to bring forward is John Steinbeck, born in Salinas, California in 1902. Many of his works are considered classics of western literature, and he won the Nobel Prize for Literature in 1962.

He authored 33 books during his writing career.

His best-known works include “Of Mice and Men,” his 1937 book about migrant ranch workers in California during the Great Depression…

…and “The Grapes of Wrath,” which follows a family of tenant farmers driven for various reasons from their home in Oklahoma to California in the Great Depression during the Dust Bowl period of history.

Both of these novels were made into Hollywood movies, and both are required reading for English classes in high school, which was when I read them.

How was an ancient advanced worldwide civilization erased from our collective awareness so much so that we don’t even see the copious evidence of it in the environment around us?

Literature is a powerful tool with which to form our world view and the accompanying imagery of what has taken place historically, and we receive this information into our conscious-thought processes through different modalities, and into our subliminal processes as well.

We are thoroughly schooled in the new narrative from the moment we are born.

In my next post, I will be delving into famous European writers from the same time period.

Poking into Historical Fires – Part 4 The 1906 Earthquake & Great Fire of San Francisco

I have selected the 1906 Earthquake and Great Fire of San Francisco for a comprehensive look because it contains all of the elements of the modus operandi of the reset to a new false historical narrative from the original worldwide advanced civilization, and concerning how the new narrative was superimposed on top of existing infrastructure.

This is what we are told about this famous historical event.

A very large earthquake struck the coast of northern California early in the morning of Wednesday, April 18th, 1906.

High intensity shaking was felt from Eureka, California, which is the principal city of what is called the Redwood Empire region of California, and the largest coastal city between San Francisco and Portland, Oregon.

This is the main channel leading into Humboldt Bay and Eureka on the top left; compared with the channel at Port Mansfield, in south Texas near Port Isabel, Texas, on the Gulf of Mexico; the channel leading into Venice, Florida, on the Gulf of Mexico; and the South Inlet of the Grand Lucayan Waterway on Grand Bahama Island, in the Caribbean Sea.

The Headquarters of the Six Rivers National Forest are in Eureka, of which a section is pictured on the top left, compared with the confluences of the Mississippi and Missouri Rivers near St. Louis on the top right; of the Raccoon and Des Moines Rivers near Des Moines, Iowa, on the bottom left; and of the Blue Nile and White Nile near Khartoum, in the African country of Sudan on the bottom right.

The California Parks’ Headquarters for the North Coast Redwoods District is in Eureka.

The Carson Mansion is a nationally-recognized landmark in Eureka…

…said to have been built, starting in 1884, and completed in 1886, for lumber baron William Carson. It has been a private club since 1950 and is not open to the general public.

William Carson was said to have arrived in San Francisco in 1849, from New Brunswick in Canada, with a group of other woodsmen.

In 1850, the year I believe was year-one of the new historical narrative, he and Jerry Whitmore were said to have felled a tree, the first for commercial purposes on Humboldt Bay.

In 1854, he was said to have shipped the first the first loads of Redwood timber to San Francisco, and in 1863, he and John Dolbeer formed the Dolbeer and Carson Lumber Company.

William Carson was also said to have been involved with the founding of the Eel River and Eureka Railroad in November of 1882, along with a man named John Vance.

Its service was said to have been stopped for safety reasons between 1996 and 1997.

Here is a building in old town Eureka on the top left, which is said to be known for its Victorian architecture; compared with Fort Madison in Iowa on the top right; and Kherson, Ukraine, on the bottom.

The high-intensity shaking was said to have been felt to the Salinas Valley, an agricultural region south of the San Franscisco Bay area, and one of the most productive agricultural regions in California.

John Steinbeck sets many of his novels in Salinas, as he was born here in 1902, and lived here until the age of 17. This was his home…

…and which is still there today, and is a restaurant at the corner of Stone Street and Central Avenue.

Initially the epicenter of the earthquake was said to be in Olema, in the Point Reyes area. This Arch Rock at Sculptured Beach on Point Reyes.

Arch Rock, and Sculptured Beach for that matter, are cover-up code words for ancient infrastructure that we are told is natural.

There are similar features to Arch Rock on Point Reyes in many different places, like Hollow Rock Beach on Grand Portage Island, off the coast of Minnesota in Lake Superior.

This is Durdle Door in England on the winter solstice.

These archways are what I would consider ancient infrastructure, placed precisely a certain way in the landscape for the alignment heaven and earth, and are not the result of natural and random processes as we have been led to believe.

And Keyhole Rock on Pfeiffer Beach in California, also on the winter solstice.

These archways represent intentional terraforming of the earth from ancient times by Master Builders to create harmony, beauty and balance based on geometric and astronomical principles.

In the 1960s, it was proposed that the epicenter was offshore, northwest of the Golden Gate, which was the name given to the strait between San Francisco Bay and the Pacific Ocean…

…which was supported by a tide gauge at the Presidio recording a local tsunami at the time of the occurrence of the 1906 earthquake.

The Presidio of San Francisco was a former U. S. Military Installation and park in the Golden Gate National Recreational Area. This is the Battery Boutelle at the Presidio, said to have been built in 1900, and which looks a lot like the…

…Alexandra Battery in Bermuda, said to have been constructed in the 1860s.

Based on what I have found in my research, I believe structures like these called batteries actually functioned as batteries on the planetary grid, and were not originally military in nature.

We are told after the earthquake, fires soon broke out in san Francisco, and lasted for several days, and as a result, up to 3,000 people died, and over 80-percent of San Francisco was destroyed.

Here are some photos of San Francisco prior to the 1906 earthquake and fire…

…and photos taken at the time everything was happening. I find it interesting to note the photos showing well-dressed people that seem to be calmly hanging out in the midst of all of the destruction. I wonder what that was all about…

We are told that up to 300,000 people were left homeless out of a population of 410,000.

Half of those evacuated were said to have fled across the San Francisco Bay to Oakland and Berkeley, apparently with the help of the Southern Pacific Railroad running 1,400 trains, starting 45-minutes after the earthquake occurred, in the midst of chaos and destruction for the next five days…

…notwithstanding this train said to have been overturned at Point Reyes by the earthquake, with the surreal-looking young girl and dog standing beside it.

…and leaving San Francisco by ferry. This is the San Francisco Ferry Building, said to have been designed by architect Arthur Page Brown in 1892, and completed in 1898.

For those remaining in San Francisco, makeshift tents were said to cover places like Golden Gate Park…

…the Presidio…

…and the Panhandle.

I just want to show you the Palace of Fine Arts in San Francisco located in the Marina District of San Francisco, not far from the Presidio.

It was said to have been built for the Panama-Pacific Exposition of 1915, an exposition which celebrated the city and its rise from the ashes. and one of its few surviving structures.

Interesting to note such a massive engineering feat and event like this taking place during World War I, which took place between 1914 and 1918 in our historical narrative.

The San Francisco earthquake and fire is said to be the first disaster of its magnitude to be documented by photography and motion picture footage.

More about this later.

We are told ninety-percent of the total destruction of San Francisco was caused by out-of control fires.

One of the largest fires, called the “Ham and Eggs” fire, was said to have been caused by a woman making breakfast for her family.

This fire was said to have caused the destruction of the San Francisco City Hall…

…as well as the Hall of Records. This is what it looked like before…

…and after.

The “Ham and Eggs” Fire was also said to have destroyed the Palace Hotel.

Another cause of the destructive fires was attributed to firefighters who were untrained in the use of dynamite. We are told they were trying to dynamite strategic buildings to create a firebreak, but instead caught on fire from the dynamite itself.

Say what? How could that have happened? The buildings in these pictures were made from heavy stone masonry!

Most of the largest botanical collection in the West was destroyed at the California Academy of Sciences…

…except for 1,500 specimens that were saved by botany curator Alice Eastwood.

And the laboratory of biochemist Benjamin Jacobs was destroyed in the fire, where he was researching the nutrition of every day foods.

San Francisco’s Fire Chief, Dennis T. Sullivan, was said to have died early on from injuries sustained during the earthquake.

United States Troops were said to have mobilized to assist, and troops from nearby Angel Island were brought in.

While the military intervention was mostly above-board, there were some soldiers said to have been caught looting.

Plans to rebuild San Francisco were said to have been started right away, but we are told funds were not available for at least a week because all of the major banks were where the fire was, and they had to wait for the fire-proof vaults to cool down enough to access the money in them.

The only money available was from the Bank of Italy, which was founded in San Francisco in October of 1904. This was the only bank which had evacuated its fund…prior to the earthquake and fire. Did they know something?

By the way, in 1929, the Bank of Italy became the Bank of America.

This is a $5 National Bank Note issued by the Bank of Italy in 1927.

National Bank Notes were currency bank notes issued by national banks that were chartered by the U. S. Government.

We are told the power of the earthquake destroyed almost all of the mansions on Nob Hill, except for the James C. Flood mansion.

Nob Hill has historically served as a center of San Francisco’s upper class, and is one of San Francisco’s original seven hills.

Prior to the 1850’s, it was called California Hill, but was re-named Nob Hill after the Central Pacific Railroad’s Big Four, known as the Nabobs, or Nobs, said to be an Anglo-Indian term for ostentatiously wealthy men. Their mansions in these pictures were said to have been destroyed by the earthquake.

They were Leland Stanford, President of the Central Pacific Railroad…

…Collis P. Huntington, the Vice-President of the Central Pacific Railroad…

…Mark Hopkins, Treasurer of the Central Pacific Railroad…

…and Charles Crocker, Construction Supervisor of the Central Pacific Railroad, and President of Charles Crocker & Company.

These four men used their immense wealth and power to dominate politics and commerce in San Francisco and California.

Where did their wealth come from? We are told it came first from selling supplies for the California Gold Rush of 1849 to 1851. Then they were said to have funded the construction of the Transcontinental railroad.

When they became Directors of the Central Pacific Railroad, they became immensely wealthy and the most powerful men in California.

You can also find them referred to as Robber Barons, along with other prominent individuals of this era.

Robber Baron is defined as a person who has become rich through ruthless and unscrupulous business practices, originally with reference to prominent U. S. businessmen in the 19th-century.

Was this how they got so rich?

There’s so much more revealing information to be found in 1906 San Francisco, and I could go on and on. I will wrap things up at this point, however, with my thoughts on Great Fires, and the like.

I believe Humanity was on the completely different and positive timeline of the ancient Moorish Civilization up until relatively recently. This civilization built all of the infrastructure on the earth in alignment with sacred geometry and Universal Law to create Harmony and balance between Heaven and Earth.

This is the Great Seal of the Moors, and “Ab Antiquo” means “From Antiquity.” “Islam” is a word that means peace, and Moors greet each other by saying “Peace” or “Islam.” The eye at the top of the pyramid represents the human pineal gland, and reconnecting spiritually with one’s Higher Self.

The Beings behind the hijack of the timeline based much in the new historical narrative on the Moorish Legacy, but twisted and subverted from its original meaning.

I think they created the worldwide mud flood cataclysm in order to wipe out this civilization, and create a new historical narrative, with an aim of controlling and dominating Humanity. In this process, they created the means to suck up all the vast wealth of this civilization…

…continuing on into the present day.

I believe there is a connection between the Great Frost of Ireland in 1740 and 1741, and the mud flood cataclysm. During this time in Ireland,  there was an almost two-year period of extremely cold, enduring weather in Ireland.  The cause is not known and this information is in the historical record, but kept pretty much out of sight.

I believe it took approximately 100-years to dig enough infrastructure out of the mud flows in order to restart civilization…

…and that the official kick-off of the new historical timeline was Great Exhibition of All Nations in London in 1851…

…held in the Crystal Palace, said to have been constructed in Hyde Park for the Great Exhibition, and then moved to another part of London afterwards.

What if all of the Exhibitions, Expositions, and World Fairs, starting with this one in 1851, were showcasing the technology and architectural wonders of the original civilization before being hidden away or forever destroyed?

What if the original order of society was turned upside-down, and we have been the subjects of a vast human and social engineering project, not for our best interest but that of other beings?

How do the Great Fires of History factor into all of this?

I believe up until the advent of photography, the fires were a fictional device inserted into our history to create the narrative of destruction of sacred and important places, like in Rome’s great fire of 64 AD. It started right next to the location where Circus Maximus and the Roman imperial palaces were built…

…and the location of Constantinople’s fire of 532 AD has similar characteristics, including the Hippodrome, which served the same purpose as the Circus Maximus in Rome, and the Imperial Great Palace of Constantinople, also known as the Sacred Place.

I think later fires of the 1800’s, for example like the 1845 Great Fire of New York, were inserted into our history to create the narrative that wood structures burned and were replaced by heavy masonry.

We are told the 1845 Great Fire of New York destroyed 345 buildings in the southern part of the Financial District. This fire was said to confirm the effectiveness of restricting the building of wood-frame structures as areas which were rebuilt after the 1835 Great Fire of New York were of stone, masonryiron roofs and iron shutters.

What about the great fires that have photographic and video evidence?

I think these represent something else entirely.

What could cause the complete destruction of stone masonry, like what you see from the 1871 Great Fire of Chicago…

…and the 1906 San Francisco fire?

Can a regular fire do this kind of destruction?

In this process of re-writing history, a corporatocracy was created, which is a society or system that is governed or controlled by corporations. It was superimposed on to the existing infrastructure.

This was the New York World Building with the copper dome on Newspaper Row in New York City, in which Joseph Pulitzer had his office. It was said to have been built in 1890.

The New York World Building was razed in 1955 for, we are told, the expanded car ramp entrance to the Brooklyn Bridge. A marvel of human engineering torn down for a car ramp entrance. Does this make sense?

I am going to be starting a new series in the next post focusing on how the famous authors and art of the 1800’s and 1900’s were used to shape the new and false historical narrative.

Poking into Historical Fires – Part 3 The Years Between 1851 and 1871

I am going to be taking a close look at historical fires in different countries in this post, recorded in the historical narrative as having occurred between 1851 and 1871.

There was a two-day fire in San Francisco in early May of 1851 that was said to have destroyed as much as three-quarters of San Francisco.

Here is the map of the Burnt District of the 1851 San Francisco Fire and a map of its exact location in the city today.

I was able to pinpoint it right away by searching for a map of San Francisco’s Financial District, and then greyed in the affected city blocks for this comparison graphic.

This is the historical narrative surrounding the fire.

It was said to have occurred during the height of the California Gold Rush between December of 1849 and June of 1851.

This was said to be an early daguerrotype, an early form of photography, of Portsmouth Square in San Francisco from 1851, some time before June of 1851.

Besides the fact that it looks like a mud flood scene, the fire was said to have started in Portsmouth Square in a paint and upholstery store on the night of May 3rd, 1851.

High winds were said to carry the fire down Kearny Street, which runs north from Market Street to the Embarcadero, and on its south end separates the Financial District from Union Square and China Town.

Here is a view down Kearny Street, and its perfectly smooth, and angled, steep slope…

…and here it is from another direction, showing the Kearny Street steps on either side of it, also known as the Peter Macchiarini steps, said to be named to commemorate an Italian-American modernist sculptor and jeweler of San Francisco.

Here is an historic photo of the First Kearny Street Hall of Justice, a jail that was called a book and intake facility, and said to have been built in 1912; rehabilitated by FDR’s New Deal’s Works Project Administration in the 1930s; and then demolished in 1968.

It was mighty grand building for a temporary jail that only existed for 56-years.

This picture is said to be from 1925 of the Old Hippodrome and Bella Union Dance Halls was located between Kearny & Montgomery Streets…

…located in what was called the Barbary Coast, which was the red-light district of San Francisco.

The Barbary Coast, or Barbaria, was also the name given to a vast region stretching from the Nile River Delta, across Northern Africa, to the Canary Islands.

This region stopped being referred to as the Barbary Coast, or Barbaria, in the early-1800s.

This is the Columbus Tower, also known as the Sentinel Building, on Kearny Street, with its copper and white-tile exterior. Construction of it was said to have been begun before the 1906 fire, which it purportedly survived.

It is now primarily occupied by Francis Ford Coppola’s production studio.

From Kearny Street, the fire was said to shift south into the downtown area. Well, the Columbus Tower is very close to the Transamerica Pyramid…

…and the place where the Transamerica Pyramid is located interestingly in what appears to be in the center of what was called the Burnt District.

Construction of the Transamerica Pyramid was said to have in December of 1969, and completed in 1972.

Special things about the Transamerica Pyramid include a 32-pane, cathedral-style glass top…

…which contains a 6,000-watt beacon light.

This is the Bently Reserve Building, formerly the Federal Reserve Bank of San Francisco.

…and now a conference center.

What if…the California Gold Rush starting in 1849 was a cover story for a massive influx of workers into the Bay area needed to dig San Francisco out of mud?

This is said to be a daguerrotype showing a panorama of San Francisco Harbor in 1851.

In the Province of Quebec in Canada, stating that wood was the typical construction material of the time, the Great Montreal Fire took place in July of 1852, and said to have started at a tavern on St. Lawrence Boulevard, and quickly spread because of high winds and hot summer weather.

From the tavern, it spread to the block between St. Denis Street and Craig Street (now Saint Antoine Street), engulfing the St. Jacques (or St. James in English) Cathedral, said to have been rebuilt by 1857; burned down again in 1858, and rebuilt by 1860; and burned out again in 1933. It was purchased in 1973 by the University of Quebec at Montreal, and demolished except for the spire and transept. They were then incorporated into the University’s infrastructure.

St. Jacques Cathedral was directly connected to the Berri-de Montigny Metro Station. Here are some historical photos of what is described as the construction of this metro station in 1964. Is this new construction going on here…or excavation?

Here are similar-looking photos showing evidence for the mud flood in comparison for appearance:

St. Jacques Cathedral was also connected to Montreal’s underground city – a series of office towers; hotels; shopping centers; residential and commercial complexes; convention halls; universities and performing arts venues that are connected underground in the heart of downtown Montreal…

…all of which is completely integrated with Montreal’s Metro System.

The fire spread to the Montreal General Hospital on Dorchester Street on Mont Royal, said to have been built in 1822…

…and the Theater Royal.

We are told within hours, one-quarter of Montreal, the oldest part of Montreal was destroyed, in Vieux-Montreal.